Sync Licensing Pitch Email
Generate high-quality Sync Licensing Pitch Email output with AI.
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How many tracks have you sent to a music supervisor without a reply? Sync inboxes fill up daily, and most pitches are deleted in the preview pane. Sync Licensing Pitch Email writes the message around your track and the brief you are answering, so what lands is short, specific and easy to say yes to.
Short answer: Sync Licensing Pitch Email is a free EizTools tool that drafts pitch emails for music supervisors, libraries and agencies. Set the tone, subject line style, length and purpose, and it returns a message ready to check and send.
What is Sync Licensing Pitch Email?
Sync Licensing Pitch Email drafts the message that goes with a track pitched for film, television, advertising or games. You supply the song, the rights position and the brief. It supplies the wording, the subject line and the ask at the end.
Why Sync Pitches Get Deleted
Supervisors are usually rejecting the email, not the music. Three things close a pitch fast: no clear rights statement, a wall of text before the song is named, and an attachment instead of a link. A fourth is not naming the brief you are answering, which makes the message read as a mass send.
How Does Sync Licensing Pitch Email Work?
Put the facts in the prompt box: track, genre, who owns the master and the publishing, whether it is one stop, and the project you are pitching for. Pick a model from the selector, then open the advanced options and set the four dropdowns.
Generate, and the draft appears in the output card with a word count. Copy it into your email client, or download it as TXT, Word or HTML if it needs a second pair of eyes. The activity history panel keeps recent drafts for the session.
Subject Line, Tone And Length
| Purpose setting | When to use it |
|---|---|
| Outreach | A first approach to a supervisor or library you have not worked with |
| Introduction | A warm introduction where somebody has passed on the contact |
| Follow-up | A short nudge after a pitch that never got a reply |
| Update | Telling a contact your catalogue has grown or the rights have changed |
Alongside Purpose, Tone runs from Direct to Warm, Subject Line offers six styles, and Length runs from a single line up to 350 words. Start with Direct, Descriptive and Short (50-100w). Descriptive subject lines survive a search inside a busy inbox. Curiosity lines rarely do.
Four toggles finish it: Include Greeting, Include Signature, Include Call-to-Action and Include P.S. Keep the call to action on, because a pitch without an ask leaves the supervisor to invent the next step.
What Belongs In The First Line
- The project or brief you are answering, named in the first sentence.
- The track title, genre and length.
- A one line rights statement, including whether master and publishing sit together.
- A streaming link that opens without a login or a download.
Check before sending The draft cannot know your rights position. Read every ownership claim in the email against your split sheets and agreements, because an overstated one stop claim costs you the relationship, not just the placement.
Following Up
One follow up is normal. Set Purpose to Follow-up, Length to 1 line and Tone to Friendly, and send it a fortnight later on the same thread so the original link stays visible. If that gets nothing, pitch the next brief rather than the next reminder.
What it gets right
- Keeps the email short, which is the main thing pitches get wrong.
- Subject line options are built in rather than left to chance.
- Free with no account, so you can draft a pitch per brief.
What it cannot do
- It does not know your rights, splits or clearance position.
- It has no contact list, so finding the right supervisor is still your job.
- Generic input produces a generic pitch, which is the thing being avoided.
EizTools is free to use without an account, and each tool has settings written for its own kind of writing. Results carry a word count, download in three formats, and run on the engine you pick. If you are also pitching the release to press and blogs, the Media Pitch Generator covers that message, which needs a different angle from a sync pitch.
Frequently Asked Questions
How long should a sync pitch email be?
Short. Fifty to a hundred words covers the brief, the track, the rights and the link. Anything longer competes with the music for attention.
Should I attach the audio file?
No. Send a private streaming link that plays in a browser. Attachments trip spam filters and fill an inbox that already receives hundreds of pitches.
What does one stop mean in a pitch?
It means a single party can clear both the master and the publishing. Only say it if it is true, since supervisors rely on that claim when they shortlist.
Can I pitch several tracks in one email?
Two or three at most, each with its own line and link. A long list moves the decision away from listening and towards skimming.
A sync pitch is a business email that happens to be about music, and it works on clarity rather than enthusiasm. Name the brief, name the track, state the rights, give one link. Draft it with Sync Licensing Pitch Email above, and keep the rest of your outreach in the business tools.